Answer:

Originally, the song Tatsulok was part of Buklod’s second album of the same title. The song deals with militarization in the countryside, and the root of the armed conflict in the country. It was released at the time of the Total War policy of then president Corazon Aquino. The Total War policy then, as is with the “all-out war” policy of current president Arroyo, intended to crush the insurgency. But instead of defeating the armed revolutionary movement in the countryside, the militarization campaign’s first casualties were civilians.

At the time of the song, memories of anti-communist vigilante groups were still fresh in the minds of the people, especially with the rise of such infamous groups as the Alsa Masa and other “death squads” tolerated by the Aquino administration and the militarists in the regime

Quite interestingly, the same incidents of death squads have come to the fore again with the rise of extrajudicial killings under the Arroyo regime. Those killed have been conveniently called “NPA supporters”.

In the end, the song tells us that the armed conflict is not just about fighting between the NPA and the Aquino regime at that time (pula’t dilaw). The root causes of the fighting are poverty, the social pyramid.

The song is tight, lyrically and musically. Hands down, it is one of the best songs by Buklod […]

I only hope that the impact transcends the traditional rock song airplay-sales-awards cycle. I do hope the song raises questions about how things are being run in the country today. Tatsulok does not mince words in describing society and the justice system. It is straightforward in “sticking it to the Man”.

Bamboo does an excellent job in covering the song, though I personally feel that the intro sounded too much like the intro of Hallelujah. One misses the original Buklod strumming and flute background. The vocals are great and invoke strong emotions and are almost like the subdued anger of the original Buklod. The percussions seem to be holding back, unlike the guitar riffs which are let loose, almost like in a fit of rage.

The remake of Tatsulok raises the bar in socio-political songwriting and performances for this generation’s rockers. A trail has been blazed anew for the current crop of bands and singers. This is no longer uncharted territory for mainstream acts.