Fallen Warrior from Temple of Aphaia (c 480-470BC)
There is a tragic pathos to this mighty sculpture
of a dying hero from a temple on the Greek island of Aegina. Tragedy is a Greek concept. The tragedies of Sophocles, Euripides and Aeschylus are still performed. This statue shows a strong man fallen, heroic to his last breath.
Pergamon Altar. Athena against the giant Alcyoneus.
Pergamon Altar. Athena against the giant Alcyoneus. Photograph: Phas/UIG via Getty Images
Classical Greek art changed rapidly as Greece itself went through wars and imperial transformations. In what is called the Hellenistic age it became much more emotional, sensual and even sensationalist. The furious sculptures on the Pergamon altar – which can be seen in its own museum in Berlin – are full of passion and psychological drama.
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Fallen Warrior from Temple of Aphaia (c 480-470BC)
There is a tragic pathos to this mighty sculpture
of a dying hero from a temple on the Greek island of Aegina. Tragedy is a Greek concept. The tragedies of Sophocles, Euripides and Aeschylus are still performed. This statue shows a strong man fallen, heroic to his last breath.
Pergamon Altar. Athena against the giant Alcyoneus.
Pergamon Altar. Athena against the giant Alcyoneus. Photograph: Phas/UIG via Getty Images
Classical Greek art changed rapidly as Greece itself went through wars and imperial transformations. In what is called the Hellenistic age it became much more emotional, sensual and even sensationalist. The furious sculptures on the Pergamon altar – which can be seen in its own museum in Berlin – are full of passion and psychological drama.