Southeast Asian Music include the musical traditions of this subregion of Asia. This subregion consists of eleven countries, namely, Brunei, Cambodia, East Timor, Indonesia, Laos, Malaysia, Myanmar, Philippines, Singapore, Thailand and Vietnam. Southeast Asian music are more focused on traditional vibes. Made by traditional musical instruments that was passed down from generations and generations. Even though we are influenced by other countries and their way of modernizing music by the use of technologies and other newly made instruments. Music in Southeast Asia is frequently related to ceremonies connected with religion, the state, community festivals, and family affairs. In Java, important Islamic feasts, such as the birthday of Muhammad or the end of the fasting month of Ramadan, as well as animistic ceremonies marking the harvest and cycles of human life, are celebrated with shadow plays (wayang [wajang]).
Many musical instruments are made of natural products of a tropical environment, and their sounds are products of this milieu. The music of buzzers, zithers, and harps is thus akin to sounds heard in the tropical vegetation of Southeast Asia. In Bali, for example, special ways of chanting and sounds of the jew’s harp ensemble (genggong) imitate the croaking of frogs and the noise of animals. In Bali, the gamelan gong orchestra opens ceremonies and provides most of the music for temple feasts. The gamelan selunding, an ensemble with iron-keyed metallophones (like xylophones but with metal keys), plays ritual music, and the gamelan angklung, so called because it formerly included tube rattles, or angklung, is used to accompany long processions to symbolic baths near the river.
Answers & Comments
Answer:
:)))
Explanation:
Southeast Asian Music include the musical traditions of this subregion of Asia. This subregion consists of eleven countries, namely, Brunei, Cambodia, East Timor, Indonesia, Laos, Malaysia, Myanmar, Philippines, Singapore, Thailand and Vietnam. Southeast Asian music are more focused on traditional vibes. Made by traditional musical instruments that was passed down from generations and generations. Even though we are influenced by other countries and their way of modernizing music by the use of technologies and other newly made instruments. Music in Southeast Asia is frequently related to ceremonies connected with religion, the state, community festivals, and family affairs. In Java, important Islamic feasts, such as the birthday of Muhammad or the end of the fasting month of Ramadan, as well as animistic ceremonies marking the harvest and cycles of human life, are celebrated with shadow plays (wayang [wajang]).
Many musical instruments are made of natural products of a tropical environment, and their sounds are products of this milieu. The music of buzzers, zithers, and harps is thus akin to sounds heard in the tropical vegetation of Southeast Asia. In Bali, for example, special ways of chanting and sounds of the jew’s harp ensemble (genggong) imitate the croaking of frogs and the noise of animals. In Bali, the gamelan gong orchestra opens ceremonies and provides most of the music for temple feasts. The gamelan selunding, an ensemble with iron-keyed metallophones (like xylophones but with metal keys), plays ritual music, and the gamelan angklung, so called because it formerly included tube rattles, or angklung, is used to accompany long processions to symbolic baths near the river.
GODBLESS!