The Zamboangueño courtship and traditions are elaborate and regulated by a long list of requiredsocial graces. An example is the fact that a suitor could not sit unless permitted to do so by the lady’s parents, or the heavy cross-examination of the suitor who had to answer satisfactorily all questions as to his lineage, credentials, and occupation, or the courtship curfew, the need to cultivate the goodwill of all the members of the lady’s family.Songs-“Zamboangueño songs” also show much of culture. The songs of love show the need for the harana or the coutship serenade as well as the limits puts on the expression of love by the norms of culture and tradition. The Chabacano Song Festival, has produced numerous Chabacano pieces. The Chabacano Song Festival is one of the events of the Zamboanga HermosaFestival.Dance-Chavacano de Zamboanga songs and dances are derived primarily from Spanish/Liberianperformances.~ Chavacano de Zamboanga folk dance – danced by one pair or a group of pairs wearing a mascota and a camiseta zamboangueño.
Zamboangan songs and dances are derived primarily from Spanish/Iberian performances. Specifically, the jota zamboangueña, a Zamboangueño version of the quick-stepping flamenco with bamboo clappers in lieu of Spanish castanets, are regularly presented during fiestas and formal tertulias or other Zamboangueño festivities.Courtship etiquette-Zamboangan courtship traditions are elaborate and regulated by a long list of required social graces. For example, a perfectly respectable Zamboangan gentleman (caballero) would not sit unless permitted to do so by the woman’s parents, he then had to endurequestions pertaining to his lineage, credentials and occupation. Finally, the courtship curfew, and the need to cultivate the goodwill of all the members of the woman’s family were paramount considerations before any headway could be made in pursuing a Zamboangueño señorita’s hand in marriage.Art and LitereatureChavacano Languageis the main language of the Zamboangueño people. A Conglomeration of 90% traditional Spanish/Castillan and 10% influences from other Romance Languages such as Portuguese, Italian and French, Native American such as Nahuatl, Taíno, Quechua, Mexican Spanish et al. and Austronesian languages such as Binisaya (mainly Hiligaynon/Ilonggo & Cebuano),Subanon, bahasa Sūg, Yakan, Sama, Tagalog.
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The Zamboangueño courtship and traditions are elaborate and regulated by a long list of requiredsocial graces. An example is the fact that a suitor could not sit unless permitted to do so by the lady’s parents, or the heavy cross-examination of the suitor who had to answer satisfactorily all questions as to his lineage, credentials, and occupation, or the courtship curfew, the need to cultivate the goodwill of all the members of the lady’s family.Songs-“Zamboangueño songs” also show much of culture. The songs of love show the need for the harana or the coutship serenade as well as the limits puts on the expression of love by the norms of culture and tradition. The Chabacano Song Festival, has produced numerous Chabacano pieces. The Chabacano Song Festival is one of the events of the Zamboanga HermosaFestival.Dance-Chavacano de Zamboanga songs and dances are derived primarily from Spanish/Liberianperformances.~ Chavacano de Zamboanga folk dance – danced by one pair or a group of pairs wearing a mascota and a camiseta zamboangueño.
Zamboangan songs and dances are derived primarily from Spanish/Iberian performances. Specifically, the jota zamboangueña, a Zamboangueño version of the quick-stepping flamenco with bamboo clappers in lieu of Spanish castanets, are regularly presented during fiestas and formal tertulias or other Zamboangueño festivities.Courtship etiquette-Zamboangan courtship traditions are elaborate and regulated by a long list of required social graces. For example, a perfectly respectable Zamboangan gentleman (caballero) would not sit unless permitted to do so by the woman’s parents, he then had to endurequestions pertaining to his lineage, credentials and occupation. Finally, the courtship curfew, and the need to cultivate the goodwill of all the members of the woman’s family were paramount considerations before any headway could be made in pursuing a Zamboangueño señorita’s hand in marriage.Art and LitereatureChavacano Languageis the main language of the Zamboangueño people. A Conglomeration of 90% traditional Spanish/Castillan and 10% influences from other Romance Languages such as Portuguese, Italian and French, Native American such as Nahuatl, Taíno, Quechua, Mexican Spanish et al. and Austronesian languages such as Binisaya (mainly Hiligaynon/Ilonggo & Cebuano),Subanon, bahasa Sūg, Yakan, Sama, Tagalog.
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