Experimental art is that which takes unfamiliarity as its dominant—even to the point of schism. The experimental artist wants her artwork to be different from all the other artworks around her. She desires that her results be unusual, unfamiliar to the point of looking peculiar, perplexing
what makes an experimentation in contemporary arts successfully?
ANSWER:
Art-making is as mysterious as it ever was. No one has ever answered that question “where do your ideas come from,” because none of us really knows. Or, to be fair, some of us do, and some of us are very cognizant and intentional about that. Those who work under flood lights, with every crevice and shadow of the process illuminated, have a different relationship with the muse, with the gods, with landscapes of the mind, than those whose work is guided differently; inspired, as it were, by a less-well-understood spirit.
Recognizing an act as an experiment releases it from a lot of seriousness, a lot of demands of perfection. The outcome of experimentation is knowledge, and failure is just as valuable as success, because one has expanded one’s awareness of one’s own abilities, one’s deeper ideas, the potential of a media, a process, a genre, an art-form. This article is part of my exploration into the deeper aspects of the art-making process,
Artists must experiment in order to find their way around themselves.
Answers & Comments
Answer:
Experimental art is that which takes unfamiliarity as its dominant—even to the point of schism. The experimental artist wants her artwork to be different from all the other artworks around her. She desires that her results be unusual, unfamiliar to the point of looking peculiar, perplexing
Explanation:
Question?
what makes an experimentation in contemporary arts successfully?
ANSWER:
Art-making is as mysterious as it ever was. No one has ever answered that question “where do your ideas come from,” because none of us really knows. Or, to be fair, some of us do, and some of us are very cognizant and intentional about that. Those who work under flood lights, with every crevice and shadow of the process illuminated, have a different relationship with the muse, with the gods, with landscapes of the mind, than those whose work is guided differently; inspired, as it were, by a less-well-understood spirit.
Recognizing an act as an experiment releases it from a lot of seriousness, a lot of demands of perfection. The outcome of experimentation is knowledge, and failure is just as valuable as success, because one has expanded one’s awareness of one’s own abilities, one’s deeper ideas, the potential of a media, a process, a genre, an art-form. This article is part of my exploration into the deeper aspects of the art-making process,
Artists must experiment in order to find their way around themselves.