Among the main similarities between Classical and Medieval Sculpture is their shared figurative focus as well as their respectively divinity grounded content. Both also focus upon the idealization of certain concepts and respective philosophies within allegorical idioms, the triumph of the spirit and intellect over humankind’s bestial nature.
Both truly Classical sculpture and Medieval sculpture there is a shared and intentional stylization of human form, a sort of transcendence from the earthly toward the ideal, the perfect and ethereal world of the Heavenly. In classical sculpture there was a sort of rigid dispassionate quality and perfection, while in the Medieval there was a stylization as well, as those the human forms of both periods were becoming more divine i.e. (G)od-like and relinquishing their earthly bodies.
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Among the main similarities between Classical and Medieval Sculpture is their shared figurative focus as well as their respectively divinity grounded content. Both also focus upon the idealization of certain concepts and respective philosophies within allegorical idioms, the triumph of the spirit and intellect over humankind’s bestial nature.
Both truly Classical sculpture and Medieval sculpture there is a shared and intentional stylization of human form, a sort of transcendence from the earthly toward the ideal, the perfect and ethereal world of the Heavenly. In classical sculpture there was a sort of rigid dispassionate quality and perfection, while in the Medieval there was a stylization as well, as those the human forms of both periods were becoming more divine i.e. (G)od-like and relinquishing their earthly bodies.