The kutiyapi, or kudyapi, is a Philippine two-stringed, fretted boat-lute. It is the only stringed instrument among the Palawano people, and one of several among other groups such as the Maranao and Manobo. It is four to six feet long with nine frets made of hardened beeswax. The instrument is carved out of solid soft wood such as that from the jackfruit tree.
A Maguindanao kutiyapi bearing ukkil motifs.
Common to all kudyapi instruments, a constant drone is played with one string while the other, an octave above the drone, plays the melody with a kabit or rattan pluck (commonly made from plastic nowadays). This feature, which is also common to other related Southeast Asian "boat lutes", also known as "crocodile lutes", which are native to the region.
For the Palawano, it is possible to arrange the beeswax frets into different patterns resulting in two different scales for the instrument. These are the binalig, a higher pitched scale similar to the pelog and accompanying style used to imitate that of the kulintang, and the dinaladay, a lower pentatonic scale used for teaching pieces of an abstract nature.
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The kutiyapi, or kudyapi, is a Philippine two-stringed, fretted boat-lute. It is the only stringed instrument among the Palawano people, and one of several among other groups such as the Maranao and Manobo. It is four to six feet long with nine frets made of hardened beeswax. The instrument is carved out of solid soft wood such as that from the jackfruit tree.
A Maguindanao kutiyapi bearing ukkil motifs.
Common to all kudyapi instruments, a constant drone is played with one string while the other, an octave above the drone, plays the melody with a kabit or rattan pluck (commonly made from plastic nowadays). This feature, which is also common to other related Southeast Asian "boat lutes", also known as "crocodile lutes", which are native to the region.
For the Palawano, it is possible to arrange the beeswax frets into different patterns resulting in two different scales for the instrument. These are the binalig, a higher pitched scale similar to the pelog and accompanying style used to imitate that of the kulintang, and the dinaladay, a lower pentatonic scale used for teaching pieces of an abstract nature.
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