The pitch, rhythm and harmony of Rig Veda by Sri Suktam can be described as being a combination of the two-tone (dual) scale, the Anu-pallava and the melodic structure of the Samaveda. The anu-pallava is the two-tone scale that is used in Indian classical music and it consists of two notes, one of which is higher (called the "anu") and the other lower (called the "pallava"). The Samaveda is the melodic structure of the Rig Veda and is composed of several melodic patterns that are repeated throughout the composition. These melodic patterns are based on the principle of musical improvisation and are known as "raga" or "raga-mala". The combination of the two-tone scale and the melodic patterns of the Samaveda creates a unique sound that is characteristic of SriSuktam's Rig Veda.
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The pitch, rhythm and harmony of Rig Veda by Sri Suktam can be described as being a combination of the two-tone (dual) scale, the Anu-pallava and the melodic structure of the Samaveda. The anu-pallava is the two-tone scale that is used in Indian classical music and it consists of two notes, one of which is higher (called the "anu") and the other lower (called the "pallava"). The Samaveda is the melodic structure of the Rig Veda and is composed of several melodic patterns that are repeated throughout the composition. These melodic patterns are based on the principle of musical improvisation and are known as "raga" or "raga-mala". The combination of the two-tone scale and the melodic patterns of the Samaveda creates a unique sound that is characteristic of Sri Suktam's Rig Veda.