The 1954 film was a metaphor for the Hiroshima bombings, with the producer Tomoyuki Tanaka saying “The theme of the film, from the beginning, was the terror of the bomb. Mankind had created the bomb, and now nature was going to take revenge on mankind.”
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Answer:
The Japanese film Gojira (known as Godzilla to Western audiences) is a kaiju or monster
movie, and the first installment in the Gojira series. Gojira films are allegorical, and typically
comment on the contemporary political and moral issues of their time. Released soon after
Japan's defeat in WWII, Gojira offers timely insights into Japan's reluctance to admit
wrongdoing in initiating and entering the Second World War. Created shortly after the
U.S. Occupation Period (1945-1952), Gojira (1954) sheds light on who is to blame and
who is not to blame when dealing with Japan’s war responsibility. Gojira attributes blame
to the pro-American Japanese government officials and the American nuclear-bomb
program while presenting an innocent Japan through the film’s focus on common Japanese
people who are victimized by both nuclear bombs and the invasion of the monster Gojira.
This contrast in representation presents ways of remembering and ways of forgetting,
thus depicting an imagined history that allows Japan to escape from confronting its war
responsibility
Explanation:
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Answer:
The 1954 film was a metaphor for the Hiroshima bombings, with the producer Tomoyuki Tanaka saying “The theme of the film, from the beginning, was the terror of the bomb. Mankind had created the bomb, and now nature was going to take revenge on mankind.”