Departure of the Volunteers of 1792 (The Marseillaise), ca. 1835
François Rude commemorated a crucial moment in modern history through the powerful language of classical allegory. The Departure of the Volunteers of 1792 honors France’s first citizen army, formed in response to a threatened invasion by a Prussian/Austrian coalition intent on restoring the deposed Bourbon monarchy. Dressed in classical armor and carrying ancient weapons, men ranging from youth to old age rally under the command of a fierce, female warrior. Born up by wings and wearing a Phrygian cap (worn by freed slaves in Roman times), she represents the victorious spirit of Liberty, conceived as the embodiment of France during the Revolution of 1789. This highly finished plaster relief—one of a few of Rude’s models to survive—so closely resembles the final version sculpted on a colossal scale for the Arc de Triomphe on the Champs-Elysées in Paris that it may have served as a guide for the stone carvers.
From Bulletin of the Detroit Institute of Arts 89 (2015)
Explanation:
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4 votes Thanks 11
casundolourdes
elements that is used so it means what are the lines used, colors, shape, texture
casundolourdes
ayaw ko pongakipag away pero yung sagot niyo po is all around description na po yan ng sinasabing sculpture not the elements and principles of it but thanks cause you tried your best
casundolourdes
sa principles naman what are balance, proportion and movement is used the sculpture
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Answer:
François Rude
Departure of the Volunteers of 1792 (The Marseillaise), ca. 1835
François Rude commemorated a crucial moment in modern history through the powerful language of classical allegory. The Departure of the Volunteers of 1792 honors France’s first citizen army, formed in response to a threatened invasion by a Prussian/Austrian coalition intent on restoring the deposed Bourbon monarchy. Dressed in classical armor and carrying ancient weapons, men ranging from youth to old age rally under the command of a fierce, female warrior. Born up by wings and wearing a Phrygian cap (worn by freed slaves in Roman times), she represents the victorious spirit of Liberty, conceived as the embodiment of France during the Revolution of 1789. This highly finished plaster relief—one of a few of Rude’s models to survive—so closely resembles the final version sculpted on a colossal scale for the Arc de Triomphe on the Champs-Elysées in Paris that it may have served as a guide for the stone carvers.
From Bulletin of the Detroit Institute of Arts 89 (2015)
Explanation:
Hope this help.