Developmental art refers to an art movement that emerged in the Philippines during the 1970s, which aimed to use art as a means for social change and development. It emphasized the role of art in community development and sought to involve people from different walks of life in the creation and appreciation of art. Developmental art also aimed to address social issues and promote social awareness through art.
The exposure phase (1971-1975) was a period in Philippine developmental art when artists, led by Roberto Chabet and other members of the Philippine Association of Printmakers (PAP), began to explore new forms of art-making that were more socially and politically relevant. During this phase, Chabet and his colleagues organized exhibitions and workshops to promote developmental art and encourage community participation. They also explored new materials and techniques in their art-making, including using found objects and incorporating performance and installation art into their practice.
Overall, the exposure phase was a time of experimentation and innovation in Philippine developmental art, as artists sought to break away from traditional forms of art and create a more socially engaged and relevant form of art.
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Developmental art refers to an art movement that emerged in the Philippines during the 1970s, which aimed to use art as a means for social change and development. It emphasized the role of art in community development and sought to involve people from different walks of life in the creation and appreciation of art. Developmental art also aimed to address social issues and promote social awareness through art.
The exposure phase (1971-1975) was a period in Philippine developmental art when artists, led by Roberto Chabet and other members of the Philippine Association of Printmakers (PAP), began to explore new forms of art-making that were more socially and politically relevant. During this phase, Chabet and his colleagues organized exhibitions and workshops to promote developmental art and encourage community participation. They also explored new materials and techniques in their art-making, including using found objects and incorporating performance and installation art into their practice.
Overall, the exposure phase was a time of experimentation and innovation in Philippine developmental art, as artists sought to break away from traditional forms of art and create a more socially engaged and relevant form of art.