Philippine sculpture Traditional arts like weaving, metal smith, pottery, woodcarving and gold smith are famous all over the country and are valued both by the locals and tourists. The valuable ornate carvings are a specialty in the southern Philippine Islands. The Philippine sculpture is the most well-known art form of the Filipinos. The most famous woodcarving in the Philippine sculpture is the carvings of the “Anitos” or the nature gods, “Santos” or saints, and figures of Christ and the Blessed Mother Mary. Today, travelers will find brilliant weaves, intricate beadwork, silver tribal jewelry, rustic wood figurines and dishes, ceramic pots, jewel-colored capiz shell chandeliers, earthy pandan leaf mats and coasters, rattan basketry, and shiny brassware. Philippine sculpture came to be known in the middle of the 19th century. Classical Philippine sculpture reached its peak in the works of Guillermo Tolentino . His best known masterpiece is the Bonifacio Monument, which is a group sculpture composed of numerous figures massed around a central obelisk.
Whatever indigenous theatrical forms may have existed in the Philippines, other than tribal epic recitations, were obliterated by the Spanish to facilitate the spread of Christianity.
The comedia
The earliest known form of organized theatre is the comedia, or moro-moro, created by Spanish priests. In 1637 a play was written to dramatize the recent capture by a Christian Filipino army of an Islamic stronghold. It was so popular that other plays were written and staged as folk dramas in Christianized villages throughout the Philippines. All told similar stories of Christian armies defeating the hated Moors. With the decline of Spanish influence, the comedia, too, declined in popularity. Some professional troupes performed comedia in Manila and provincial capitals prior to World War II. Today it can still be seen at a number of church festivals in villages, where it remains a major social and religious event of the year. Much in the manner of the medieval European mystery-play performances, hundreds of local people donate time and money over several months to mount an impressive performance.
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CRAFTS IN THE PHILIPPINES
Philippine sculpture Traditional arts like weaving, metal smith, pottery, woodcarving and gold smith are famous all over the country and are valued both by the locals and tourists. The valuable ornate carvings are a specialty in the southern Philippine Islands. The Philippine sculpture is the most well-known art form of the Filipinos. The most famous woodcarving in the Philippine sculpture is the carvings of the “Anitos” or the nature gods, “Santos” or saints, and figures of Christ and the Blessed Mother Mary. Today, travelers will find brilliant weaves, intricate beadwork, silver tribal jewelry, rustic wood figurines and dishes, ceramic pots, jewel-colored capiz shell chandeliers, earthy pandan leaf mats and coasters, rattan basketry, and shiny brassware. Philippine sculpture came to be known in the middle of the 19th century. Classical Philippine sculpture reached its peak in the works of Guillermo Tolentino . His best known masterpiece is the Bonifacio Monument, which is a group sculpture composed of numerous figures massed around a central obelisk.
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The Philippines
Whatever indigenous theatrical forms may have existed in the Philippines, other than tribal epic recitations, were obliterated by the Spanish to facilitate the spread of Christianity.
The comedia
The earliest known form of organized theatre is the comedia, or moro-moro, created by Spanish priests. In 1637 a play was written to dramatize the recent capture by a Christian Filipino army of an Islamic stronghold. It was so popular that other plays were written and staged as folk dramas in Christianized villages throughout the Philippines. All told similar stories of Christian armies defeating the hated Moors. With the decline of Spanish influence, the comedia, too, declined in popularity. Some professional troupes performed comedia in Manila and provincial capitals prior to World War II. Today it can still be seen at a number of church festivals in villages, where it remains a major social and religious event of the year. Much in the manner of the medieval European mystery-play performances, hundreds of local people donate time and money over several months to mount an impressive performance.