later works, including Arnold Schoenberg’s Phantasy for Violin and Piano (1949), frequently recall the sectionalized arrangement that prevailed during the Renaissance and early Baroque periods. The complex contrapuntal keyboard fantasias of J.S. Bach (e.g., Chromatic Fantasy and Fugue, c. 1720), on the other hand, inspired similar works by Franz Liszt,…
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later works, including Arnold Schoenberg’s Phantasy for Violin and Piano (1949), frequently recall the sectionalized arrangement that prevailed during the Renaissance and early Baroque periods. The complex contrapuntal keyboard fantasias of J.S. Bach (e.g., Chromatic Fantasy and Fugue, c. 1720), on the other hand, inspired similar works by Franz Liszt,…
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