Explanation:A closer examination of the Romantic Era almost is compelled to begin with the work of Ludwig van Beethoven (1770-1827). His illustrious career spans the two eras and, in many respects, lays the foundations for the Romantic composers that were his contemporaries and those that came after him.
Beethoven’s music has its roots in the rich soil of classicism but Beethoven always had his eyes on the potential that the future would bring. His development of the symphonic form alone made an enormously important stride forward into the Romantic era, particularly in his third symphony, the Eroica. The notion of heroic struggle and the eventual triumph of the spirit of man increasingly become central wells of inspiration for successive generations of Romantic composers. Mahler (1860-1911) could never have conceived of his second symphony, the Resurrection, without Beethoven’s symphonic output.
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Answer:
Explanation:A closer examination of the Romantic Era almost is compelled to begin with the work of Ludwig van Beethoven (1770-1827). His illustrious career spans the two eras and, in many respects, lays the foundations for the Romantic composers that were his contemporaries and those that came after him.
Beethoven’s music has its roots in the rich soil of classicism but Beethoven always had his eyes on the potential that the future would bring. His development of the symphonic form alone made an enormously important stride forward into the Romantic era, particularly in his third symphony, the Eroica. The notion of heroic struggle and the eventual triumph of the spirit of man increasingly become central wells of inspiration for successive generations of Romantic composers. Mahler (1860-1911) could never have conceived of his second symphony, the Resurrection, without Beethoven’s symphonic output.