Festival And Theater Arts of Thailand, China, Japan, Indonesia
1. FESTIVAL & THEATER ARTS OF CHINA,JAPAN,INDONESIA,&THAILAND
2. THEATER ARTS
3. China:Chinese Peking Opera China is known for their traditional theater art form, the Peking opera or Beijing opera which combines music, vocal performance, pantomime,dance, and acrobatics. It started in the late 18th century. Peking opera Training Pupils were often handpicked at a young age by a teacher and trained for seven years on contract from child’s parents.
4. Roles and Characters Sheng- is the main male role in Peking Opera. 1.)Xiaosheng-actors are often involved with beautiful woman by virtue of the handsome and young image they project. 2.)Wusheng- is a martial character for roles involving combat. They are highly trained in acrobatics and have a natural voice when singing. 3.)Laosheng-is a dignified older role. These character have a gentle and cultivated disposition, and wear sensible costumes.
5. Dan-refers to any female role in Peking Opera 1.)Laodan-an 2.)Wudan-a martial 3.)Daomadan- are 4.)Qingyi-are virtuous old woman woman young female warriors and elite women Jing-is a painted face male role who plays either primary or secondary roles. Chou- is a male crown role. The Chou usually plays secondary roles whose name also means “ugly”.
6. Singingand Costumes Stage-square platforms, the action on stage is usually visible from at least 3 sides Costumes:Xingtou, popularly known as Xifu, in Chinese origins of Peking Opera. Costumes can be traced back to the mid-14th century Props:utilizes very few props,will almost always have a table and at least one chair, which can be turned through convention into such diverse objectsas a city wall, a mountain, or a bed. Musicians: are visible to the audience on the front part of the stage Viewers:always seated south of the stage, therefore, north is the most important direction. Performers:immediately move to the center north upon entering the stage.
7. Kabuki of Japan Kabuki is a form of traditional japanese drama with highly stylized song, mime, and dance, now performed only by male actors. Kabuki theater is known for the stylization of its drama and for the elaborate makeup worn by some of its performers. Kabuki is therefore sometimes translated as “the art of singing and dancing”. Since the word kabuki is believed to derive from the verb kabuku, meaning “to lean” or “to be out of the ordinary”.
8. The Kabuki stage features Hanamichi- a flower path, a walkway which extends into the audience via which dramatic entrances and exits are made; Okuni also performs on a hanamichi stage with her entourage. Kogakudo-kabuki theaters that have stages both in front of the audiences and along the sides help create a bond between the actors and viewers Mawaro butal-the interior of the theater contains a revolving stage Suppon-a platform that arises from below the stage Hanamicho-a walkway that cuts through the audience seating area to connect the stage with the back of the theater.
Explanation:
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12. The stories are usually from the Hindu epics: Ramayana Mahabharata Serat Menak-a story about the heroism of Amir Hamza
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13. Elements Of Performance The fundamental components of a performance include : • The puppeter, dhalang(Java)/ dalang(Bali) • A hammer used by the dhalang to knock on the puppet box • Metal plates that the dhalang hits with his foot,kepyak • A traditional Indonesian orchestra,gamelan • Shadow puppets, Wayang kulit • A light source, blencong • Female singers and a male chorus, pesindhen and penggerong • A screen frame and screen, gawang and kelir, the main focus of the performance
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• Banana logs,gedebog; the pointed sticks of the wayang base handle pierce the peeled trunk of a banana tree and the spongy subststance holds the pupet in place • A puppet box, kothak`
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14. Nang Shadow Puppets Showof Thailand Shadow puppet (Thai: Nang) was one form of public entertainment in south of Thailand. It is still very popular at villages festivals, temple fairs, and celebrations such as marriages The puppets are colorful but really they do not have to be because you only see black shadows
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15. Performances The puppet shows have a religious theme or have an episode from the Ramayana epic which contains dozens of individuals stories. They may also be specially written to include up-to-the minute reflections, songs and poems about local events and matters of current interest in the district or country.
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Mr. Suchart Sapsin, is a man of many talents. He is not only an expert in the craft of making the puppets but he is also an award- winning writer and poet. He is a narrator, speaking or singing all the parts using different voices
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16. Mr. Suchart Sapsin, is a man of many talents. He is not only an expert in the craft of making the puppets but he is also an award-winning writer and poet. He is a narrator, speaking or singing all the parts using different voices, and he is a superb mimic
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17. Nang recites tales of gods and contemporary people through stories of love, current events, and tradition. The shadow puppets used in the Nang represent the norms and mores of Thai society. Themes commonly seen in Nang performances include family conflict,fantastic adventures of a wandering hero, star-crossed lovers and romantic tales, hermits teaching magic to their apprentices, and abandoned children seeking lost loved ones.
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The Nang attempts to relay to the audience the importance of Thai values and ideologies in a changing world. However, the mystical and historical events remain fundamental in all performances. The association with karma(all actions have equal reactions) and the underlying message of rewards and punishments act as allegories for Buddhist morality and philosopy.The Nang is usually performed during the country’s dry season(February to August).
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Answer:
Festival And Theater Arts of Thailand, China, Japan, Indonesia
1. FESTIVAL & THEATER ARTS OF CHINA,JAPAN,INDONESIA,&THAILAND
2. THEATER ARTS
3. China:Chinese Peking Opera China is known for their traditional theater art form, the Peking opera or Beijing opera which combines music, vocal performance, pantomime,dance, and acrobatics. It started in the late 18th century. Peking opera Training Pupils were often handpicked at a young age by a teacher and trained for seven years on contract from child’s parents.
4. Roles and Characters Sheng- is the main male role in Peking Opera. 1.)Xiaosheng-actors are often involved with beautiful woman by virtue of the handsome and young image they project. 2.)Wusheng- is a martial character for roles involving combat. They are highly trained in acrobatics and have a natural voice when singing. 3.)Laosheng-is a dignified older role. These character have a gentle and cultivated disposition, and wear sensible costumes.
5. Dan-refers to any female role in Peking Opera 1.)Laodan-an 2.)Wudan-a martial 3.)Daomadan- are 4.)Qingyi-are virtuous old woman woman young female warriors and elite women Jing-is a painted face male role who plays either primary or secondary roles. Chou- is a male crown role. The Chou usually plays secondary roles whose name also means “ugly”.
6. Singingand Costumes Stage-square platforms, the action on stage is usually visible from at least 3 sides Costumes:Xingtou, popularly known as Xifu, in Chinese origins of Peking Opera. Costumes can be traced back to the mid-14th century Props:utilizes very few props,will almost always have a table and at least one chair, which can be turned through convention into such diverse objectsas a city wall, a mountain, or a bed. Musicians: are visible to the audience on the front part of the stage Viewers:always seated south of the stage, therefore, north is the most important direction. Performers:immediately move to the center north upon entering the stage.
7. Kabuki of Japan Kabuki is a form of traditional japanese drama with highly stylized song, mime, and dance, now performed only by male actors. Kabuki theater is known for the stylization of its drama and for the elaborate makeup worn by some of its performers. Kabuki is therefore sometimes translated as “the art of singing and dancing”. Since the word kabuki is believed to derive from the verb kabuku, meaning “to lean” or “to be out of the ordinary”.
8. The Kabuki stage features Hanamichi- a flower path, a walkway which extends into the audience via which dramatic entrances and exits are made; Okuni also performs on a hanamichi stage with her entourage. Kogakudo-kabuki theaters that have stages both in front of the audiences and along the sides help create a bond between the actors and viewers Mawaro butal-the interior of the theater contains a revolving stage Suppon-a platform that arises from below the stage Hanamicho-a walkway that cuts through the audience seating area to connect the stage with the back of the theater.
Explanation:
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