China is known for its traditional form of theatrical art, the Peking Opera or Beijing Opera which combines music, vocal performance, pantomime, dance and acrobatics.
It began in the late 18th century and became fully developed and accepted by the mid 19th century. It became extremely popular during the Qing Dynasty court, and came to be considered one of China's cultural treasures.
Sheng Peking Opera’s main role. There are three kinds.
Xiaosheng Actors are often involved with beautiful women by virtue of the handsome and young image they project.
It is a martial character for roles involving combat. They are highly trained in acrobatics and have a natural voice when singing.
Laosheng A dignified older role. These characters have a gentle and cultivated disposition and wear sensible costumes.
Jing Jing is a masculine painted face role that performs either primary or secondary roles. This form of role requires a strong character, meaning a Jing actor must have a strong voice and be able to exaggerate movements. Red denotes goodness and honesty, white denotes evil, and black denotes dignity.
Chou A male clown usually playing secondary roles. Chou, meaning "ugly," represents the traditional belief that ugliness and laughter from the clown will scare evil spirits away.
Staging and Costumes
Costumes Xingtou, popularly known as Xifu, in Chinese origins of Peking opera. Costumes can be traced back to the mid-14th century. They enable the audience to distinguish a character’s sex and status at first glance – if noble or humble, civilian or military, officials or private citizens, give expressions to sharp distinctions between of good and evil or loyal and wicked characters.
Costumes Oblong wings (Chizi) attached to a gauze hat indicate a loyal official. In contrast, a corrupt official is made to wear a gauze hat with rhomboidal wing.
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China is known for its traditional form of theatrical art, the Peking Opera or Beijing Opera which combines music, vocal performance, pantomime, dance and acrobatics.
It began in the late 18th century and became fully developed and accepted by the mid 19th century. It became extremely popular during the Qing Dynasty court, and came to be considered one of China's cultural treasures.
Sheng Peking Opera’s main role. There are three kinds.
Jing Jing is a masculine painted face role that performs either primary or secondary roles. This form of role requires a strong character, meaning a Jing actor must have a strong voice and be able to exaggerate movements. Red denotes goodness and honesty, white denotes evil, and black denotes dignity.
Chou A male clown usually playing secondary roles. Chou, meaning "ugly," represents the traditional belief that ugliness and laughter from the clown will scare evil spirits away.
Staging and Costumes
Costumes Xingtou, popularly known as Xifu, in Chinese origins of Peking opera. Costumes can be traced back to the mid-14th century. They enable the audience to distinguish a character’s sex and status at first glance – if noble or humble, civilian or military, officials or private citizens, give expressions to sharp distinctions between of good and evil or loyal and wicked characters.
Costumes Oblong wings (Chizi) attached to a gauze hat indicate a loyal official. In contrast, a corrupt official is made to wear a gauze hat with rhomboidal wing.
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