THERE were eight choirs in all, plus dancers, at the Abelardo Hall of the University of the Philippines-Diliman that evening. The work was in two languages: Latin and Filipino. Humming, chants and incantations heightened the spell. With the end of each act, the choir withdrew and another took its place.
With each interlude, choir members who filled the front row stood up to sort of explain what was transpiring on the stage.
The choral work being premiered in its entirety, after each section was composed separately from 2012-2015 for different choirs, was Chino Toledo’s “Misa Lingua Sama-Sama,” performed as part of the celebration of the centenary of the UP College of Music.
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THERE were eight choirs in all, plus dancers, at the Abelardo Hall of the University of the Philippines-Diliman that evening. The work was in two languages: Latin and Filipino. Humming, chants and incantations heightened the spell. With the end of each act, the choir withdrew and another took its place.
With each interlude, choir members who filled the front row stood up to sort of explain what was transpiring on the stage.
The choral work being premiered in its entirety, after each section was composed separately from 2012-2015 for different choirs, was Chino Toledo’s “Misa Lingua Sama-Sama,” performed as part of the celebration of the centenary of the UP College of Music.
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