1.IBALOI BADIW-Ibaloi Badiw - One of the vocal genres considered to be the signature form for specific cultures in Cordillera is the Ibaloi Badiw. It is a style of singing without prior preparation or practice in the leader-chorus form.
2.MARAYAW-It focuses. on the marayaw, a ritualistic power. song utilized for healing the sick and. for casting magical spells.
3.AMBAHAN-it is a rhythmic poetic expression with a meter of seven syllable lines and having rhythmic end-syllables.
4.PAMUYBUYEN-It is most often presented as a chant without a determined musical pitch or accompaniment by musical instruments. Its purpose is to express in an allegorical way, liberally using poetic language, certain situations or certain characteristics referred to by the one reciting the poem.
5.KULIAL-Kulial song is a song originated in palawan that is used to be performed of mountain tops along with rituals
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Answer:
1.IBALOI BADIW-Ibaloi Badiw - One of the vocal genres considered to be the signature form for specific cultures in Cordillera is the Ibaloi Badiw. It is a style of singing without prior preparation or practice in the leader-chorus form.
2.MARAYAW-It focuses. on the marayaw, a ritualistic power. song utilized for healing the sick and. for casting magical spells.
3.AMBAHAN-it is a rhythmic poetic expression with a meter of seven syllable lines and having rhythmic end-syllables.
4.PAMUYBUYEN-It is most often presented as a chant without a determined musical pitch or accompaniment by musical instruments. Its purpose is to express in an allegorical way, liberally using poetic language, certain situations or certain characteristics referred to by the one reciting the poem.
5.KULIAL-Kulial song is a song originated in palawan that is used to be performed of mountain tops along with rituals
Answer:
1.It is a style of singing without prior preparation or practice in the leader-chorus form.
2.It focuses. on the marayaw, a ritualistic power. song utilized for healing the sick and. for casting magical spells.
3., Ambahan can be said: a rhythmic poetic expression with a meter of seven lines of syllables and with closing rhythmic syllables.
4.It is most often presented as a chant without a determined musical pitch or accompaniment by musical instruments.