In music hypothesis, a stretch is a distinction in pitch between two sounds. A span might be portrayed as flat, straight, or melodic assuming it alludes to progressively sounding tones, like two adjoining contributes a tune, and vertical or symphonious in the event that it relates to at the same time sounding tones, for example, in a chord.
In Western music, stretches are most regularly contrasts between notes of a diatonic scale. The littlest of these spans is a semitone. Spans less than a semitone are called microtones. They can be framed utilizing the notes of different sorts of non-diatonic scales. A portion of the exceptionally littlest ones are called commas, and depict little inconsistencies, saw in a few tuning frameworks, between enharmonically identical notes like C♯ and D♭. Spans can be subjectively little, and surprisingly subtle to the human ear.
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INTERVALS
answers:
1.prime
2.seventh
3.third
4.second
5.fifth
6.fourth
7.sixth
8.octave
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In music hypothesis, a stretch is a distinction in pitch between two sounds. A span might be portrayed as flat, straight, or melodic assuming it alludes to progressively sounding tones, like two adjoining contributes a tune, and vertical or symphonious in the event that it relates to at the same time sounding tones, for example, in a chord.
In Western music, stretches are most regularly contrasts between notes of a diatonic scale. The littlest of these spans is a semitone. Spans less than a semitone are called microtones. They can be framed utilizing the notes of different sorts of non-diatonic scales. A portion of the exceptionally littlest ones are called commas, and depict little inconsistencies, saw in a few tuning frameworks, between enharmonically identical notes like C♯ and D♭. Spans can be subjectively little, and surprisingly subtle to the human ear.
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