C major (or the key of C) is a significant scale in view of C, comprising of the pitches C, D, E, F, G, A, and B. C major is one of the most widely recognized keys utilized in music. Its key mark has no pads and no sharps. Its overall minor is A minor and its equal minor is C minor.
Twenty of Joseph Haydn's 104 orchestras are in C major, making it his second most-utilized key, second just to D major. Of the 134 orchestras erroneously credited to Haydn that H. C. Robbins Landon records in his index, 33 are in C major, more than some other key. Before the development of the valves, Haydn didn't compose trumpet and kettle drum parts in his ensembles, aside from those in C major. Landon composes that it wasn't "until 1774 that Haydn involves trumpets and kettle drum in a critical other than C major... and afterward just sparingly." Most of Haydn's ensembles in C major are named "bubbly" and are of a fundamentally celebratory mind-set. Wilfrid Mellers accepted that Mozart's Symphony No 41, written in 'white' C major, "addressed the victory of light".
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DIFFERENT SCALES
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1. C major scale
C D E G A G G C D E G E D D
2. G major scale
D F# G B D E F A E G F
2. C major scale
C C C C C C B A G A G F E F E D C
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C major (or the key of C) is a significant scale in view of C, comprising of the pitches C, D, E, F, G, A, and B. C major is one of the most widely recognized keys utilized in music. Its key mark has no pads and no sharps. Its overall minor is A minor and its equal minor is C minor.
Twenty of Joseph Haydn's 104 orchestras are in C major, making it his second most-utilized key, second just to D major. Of the 134 orchestras erroneously credited to Haydn that H. C. Robbins Landon records in his index, 33 are in C major, more than some other key. Before the development of the valves, Haydn didn't compose trumpet and kettle drum parts in his ensembles, aside from those in C major. Landon composes that it wasn't "until 1774 that Haydn involves trumpets and kettle drum in a critical other than C major... and afterward just sparingly." Most of Haydn's ensembles in C major are named "bubbly" and are of a fundamentally celebratory mind-set. Wilfrid Mellers accepted that Mozart's Symphony No 41, written in 'white' C major, "addressed the victory of light".
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