In nondramatic theatre the performer generally acknowledges the presence of the audience and may even play directly to it. In dramatic theatre the actor may or may not do so. In Greek Old Comedy, for example, an actor speaking for the author might cajole, advise, or challenge the spectators. By contrast, the naturalistic actor plays as though a “fourth wall” closes off the room of the stage. Between these two
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In nondramatic theatre the performer generally acknowledges the presence of the audience and may even play directly to it. In dramatic theatre the actor may or may not do so. In Greek Old Comedy, for example, an actor speaking for the author might cajole, advise, or challenge the spectators. By contrast, the naturalistic actor plays as though a “fourth wall” closes off the room of the stage. Between these two