Characteristics: Stylistically, Las Meninas is like the sum of the best parts of all of Velázquez's earlier paintings.
Elements Used: The paintings is marked for its intense, Caravaggesque chiaroscuro, a limited and somber palette, a photo-like realism, and remarkably loose, free, unrestrained brushstrokes.
Principles Applied: Las Meninas is essentially about the relationship between reality and illusion, life and art, a consuming preoccupation during the Spanish Baroque.
2. Monalisa
CharacteristicsThe subject's softly sculptural face shows Leonardo's skillful handling of sfumato, an artistic technique that uses subtle gradations of light and shadow to model form, and shows his understanding of the skull beneath the skin.
Elements: Created with layers of transparent color, each only a few molecules thick, making the lady's face appear to glow, and giving the painting an ethereal, almost magical quality.
Principles Applied: The author hypothesizes that the great painter Leonardo da Vinci very intelligently painted the angles of the mouth of Mona Lisa's face to evoke this illusion of movement (smile) to increase the aesthetic value of this great work of art.
Answers & Comments
Answer:
1. Las Meninas
Characteristics: Stylistically, Las Meninas is like the sum of the best parts of all of Velázquez's earlier paintings.
Elements Used: The paintings is marked for its intense, Caravaggesque chiaroscuro, a limited and somber palette, a photo-like realism, and remarkably loose, free, unrestrained brushstrokes.
Principles Applied: Las Meninas is essentially about the relationship between reality and illusion, life and art, a consuming preoccupation during the Spanish Baroque.
2. Monalisa
CharacteristicsThe subject's softly sculptural face shows Leonardo's skillful handling of sfumato, an artistic technique that uses subtle gradations of light and shadow to model form, and shows his understanding of the skull beneath the skin.
Elements: Created with layers of transparent color, each only a few molecules thick, making the lady's face appear to glow, and giving the painting an ethereal, almost magical quality.
Principles Applied: The author hypothesizes that the great painter Leonardo da Vinci very intelligently painted the angles of the mouth of Mona Lisa's face to evoke this illusion of movement (smile) to increase the aesthetic value of this great work of art.
Explanation:
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