The balanced simplicity of the Visayan patadyong is as steadfast as the cloth's illustrious role in Visayan history and daily life. The patadyong is a textile woven most prominently in the provinces of Antique and Iloilo both in the island of Panay. Its name is derived from the Visayan words “pa” and “tadlong,” literally meaning “to be left straight,” alluding perhaps to its silhouette as a skirt that is narrow and straight with no pleats. Patterns of stripes and plaids tread the surface of this hardy cloth typically rendered in bright colors of reds, yellows, blues, and greens. The cloth speaks as if with modest restraint, bearing plainness in pattern yet loudness in color and function. Usually woven from cotton, it is long and wide, often reaching the ankles of its wearer and spanning about a meter and a half in width. Weaving a patadyong cloth involves interlacing different colors of thread, locally called bunang, through a wooden loom known as tiral.
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The balanced simplicity of the Visayan patadyong is as steadfast as the cloth's illustrious role in Visayan history and daily life. The patadyong is a textile woven most prominently in the provinces of Antique and Iloilo both in the island of Panay. Its name is derived from the Visayan words “pa” and “tadlong,” literally meaning “to be left straight,” alluding perhaps to its silhouette as a skirt that is narrow and straight with no pleats. Patterns of stripes and plaids tread the surface of this hardy cloth typically rendered in bright colors of reds, yellows, blues, and greens. The cloth speaks as if with modest restraint, bearing plainness in pattern yet loudness in color and function. Usually woven from cotton, it is long and wide, often reaching the ankles of its wearer and spanning about a meter and a half in width. Weaving a patadyong cloth involves interlacing different colors of thread, locally called bunang, through a wooden loom known as tiral.
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