The Symphony No. 5 in C minor from 1808 has gone down in music history as the Symphony of Fate. It is a central work for the Beethovenfest, which this year has as its motto "Fate." The fact that the symphony bears this epithet is above all due to Beethoven's secretary and biographer, Anton Schindler.
The term 'Pastoral' in music had already for 100 years implied the sleep of nature and drone of bag-pipes. Beethoven exalts the concept to that of a primordial murmur, and imitates natural repeated patterns with long passages of unchanging harmony. His music had been moving in that direction throughout his Opus 50s.
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The Symphony No. 5 in C minor from 1808 has gone down in music history as the Symphony of Fate. It is a central work for the Beethovenfest, which this year has as its motto "Fate." The fact that the symphony bears this epithet is above all due to Beethoven's secretary and biographer, Anton Schindler.
The term 'Pastoral' in music had already for 100 years implied the sleep of nature and drone of bag-pipes. Beethoven exalts the concept to that of a primordial murmur, and imitates natural repeated patterns with long passages of unchanging harmony. His music had been moving in that direction throughout his Opus 50s.
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