Art has always existed in a complex, symbiotic and continually evolving relationship with the technological capabilities of a culture. Those capabilities constrain the art that is produced, and inform the way art is perceived and understood by its audience.
Like the invention of applied pigments, the printing press, photography, and computers, we believe machine intelligence is an innovation that will profoundly affect art. As with these earlier innovations, it will ultimately transform society in ways that are hard to imagine from today’s vantage point; in the nearer term, it will expand our understanding of both external reality and our perceptual and cognitive processes.
As with earlier technologies, some artists will embrace machine intelligence as a new medium or a partner, while others will continue using today’s media and modes of production. In the future, even the act of rejecting it may be a conscious statement, just as photorealistic painting is a statement today. Any artistic gesture toward machine intelligence — whether negative, positive, both, or neither — seems likelier to withstand the test of time if it’s historically grounded and technically well informed.
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Art has always existed in a complex, symbiotic and continually evolving relationship with the technological capabilities of a culture. Those capabilities constrain the art that is produced, and inform the way art is perceived and understood by its audience.
Like the invention of applied pigments, the printing press, photography, and computers, we believe machine intelligence is an innovation that will profoundly affect art. As with these earlier innovations, it will ultimately transform society in ways that are hard to imagine from today’s vantage point; in the nearer term, it will expand our understanding of both external reality and our perceptual and cognitive processes.
As with earlier technologies, some artists will embrace machine intelligence as a new medium or a partner, while others will continue using today’s media and modes of production. In the future, even the act of rejecting it may be a conscious statement, just as photorealistic painting is a statement today. Any artistic gesture toward machine intelligence — whether negative, positive, both, or neither — seems likelier to withstand the test of time if it’s historically grounded and technically well informed.