Alicia Eler is a selfie expert. In 2017 Wired called her the “selfie semiotician,” and earlier this year she released a book on the paradox of her expertise, “The Selfie Generation: How Our Self Images Are Changing Our Notions of Privacy, Sex, Consent, and Culture.”
In the era of #MeToo and other social movements that seek to empower, the selfie is one unexpected conduit for discussion. Criticism of the act of taking pictures of oneself seems to center on it being “narcissistic,” which can resound with patriarchal implications. Women are expected to behave in one way or another, and self-empowerment via selfie is not looked at favorably—even by other women.
Eler, 34, is currently the visual art critic at the Minneapolis Star Tribune and has written for publications such as The Guardian, Glamour, New York Magazine, CNN, LA Weekly and the Chicago Tribune. “The Selfie Generation” was birthed from a selfie column she wrote for arts publication Hyperallergic in 2013 when she crowd-sourced selfies from contributors and asked them to contextualize their thoughts and experiences about the images. After seeing how insightful the answers were, Eler continued the research that eventually culminated in the book.
Now she breaks down the complexity of the selfie by asking: Are selfies symptomatic of modern culture or part of the cause of it? She delves into examining phenomena such as adolescent identity formation and online privacy, while also bringing up points we all have to consider. Is it actually narcissistic to take a selfie? And at what point should we be redefining narcissism and the value of self-expression?
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Alicia Eler is a selfie expert. In 2017 Wired called her the “selfie semiotician,” and earlier this year she released a book on the paradox of her expertise, “The Selfie Generation: How Our Self Images Are Changing Our Notions of Privacy, Sex, Consent, and Culture.”
In the era of #MeToo and other social movements that seek to empower, the selfie is one unexpected conduit for discussion. Criticism of the act of taking pictures of oneself seems to center on it being “narcissistic,” which can resound with patriarchal implications. Women are expected to behave in one way or another, and self-empowerment via selfie is not looked at favorably—even by other women.
Eler, 34, is currently the visual art critic at the Minneapolis Star Tribune and has written for publications such as The Guardian, Glamour, New York Magazine, CNN, LA Weekly and the Chicago Tribune. “The Selfie Generation” was birthed from a selfie column she wrote for arts publication Hyperallergic in 2013 when she crowd-sourced selfies from contributors and asked them to contextualize their thoughts and experiences about the images. After seeing how insightful the answers were, Eler continued the research that eventually culminated in the book.
Now she breaks down the complexity of the selfie by asking: Are selfies symptomatic of modern culture or part of the cause of it? She delves into examining phenomena such as adolescent identity formation and online privacy, while also bringing up points we all have to consider. Is it actually narcissistic to take a selfie? And at what point should we be redefining narcissism and the value of self-expression?
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