Answer:

Thai silk is produced from the cocoons of Thai silkworms. It is mainly produced in Khorat which is the center of the silk industry in Thailand. Thai weavers from this region raise the caterpillars on a steady diet of mulberry leaves. Today, Thai silk making is considered to be one of the finest arts in the world, a product of a unique manufacturing process and bearing unique patterns and colors.

Cambodia

Silk weaving in Cambodia dates to as early as the first century since textiles were used for trading. Modern textiles have traces of motifs imitating clothing details on ancient stone sculptures.

There are two main types of Cambodian weaving:

1. ikat technique (Khmer term: chongkiet) – To create patterns, weavers tie and dye portions of weft yarn before weaving begins. Patterns are diverse and vary by region; common motifs include lattice, stars, and spots.

2. uneven twill – It yields single or two-color fabrics, which are produced by weaving three threads so that the “color of one thread dominates on one side of the fabric, while the two others determine the color on the reverse side.”

Traditionally, Cambodian textiles have employed natural dyes coming from:

a. insect nests – Red dye

b. indigo – Blue dye

c. prohut bark- Yellow and Green dye

d. ebony bark- Black dye

Cambodia’s modern silk-weaving centers are Takeo, Battambang, BeanteayMeanchey, Siem Reap, and Kampot provinces. Silk-weaving has been revived in the past ten years and now provides employment for many rural women. Cambodian silk is generally sold domestically, where it is used in sampot (wrap skirts), furnishings, and pidan (pictoral tapestries). Now, it has seen an increase in export viability.

Cotton textiles have also played a significant role in Cambodian culture. Though today, Cambodia imports most of its cotton, traditionally woven cotton remains popular. Rural women often weave homemad

Laos

According to Lao tradition, stories of their history were not passed on orally nor was it written, they were woven. Strand by strand, Lao stories were weaved in the intricate dense patterns and motifs of textiles. Unfortunately some are elaborately fantastic, and the motifs so cryptic, that in many cases only the weaver can accurately interpret the story.

Most diverse of these stories are the ones woven into a sihn—the Lao women’s ankle-long skirt whose form is undeniable but whose patterns are unique to each skirt.

Though the skirt looks simple and elegant, it is traditional that every woman in Laos weaves all the sihns she would wear throughout her lifetime.She uses folk icons to express personal views. This is often accomplished by symbolist totems from the inanimate or animate world—crabs for resourcefulness, snakes for fertility, butterflies for beauty, birds for success, and so on.Cambodia

Silk weaving in Cambodia dates to as early as the first century since textiles were used for trading. Modern textiles have traces of motifs imitating clothing details on ancient stone sculptures.

There are two main types of Cambodian weaving:

1. ikat technique (Khmer term: chongkiet) – To create patterns, weavers tie and dye portions of weft yarn before weaving begins. Patterns are diverse and vary by region; common motifs include lattice, stars, and spots.

2. uneven twill – It yields single or two-color fabrics, which are produced by weaving three threads so that the “color of one thread dominates on one side of the fabric, while the two others determine the color on the reverse side.”

Traditionally, Cambodian textiles have employed natural dyes coming from:

a. insect nests – Red dye

b. indigo – Blue dye

c. prohut bark- Yellow and Green dye

d. ebony bark- Black dye

Cambodia’s modern silk-weaving centers are Takeo, Battambang, BeanteayMeanchey, Siem Reap, and Kampot provinces. Silk-weaving has been revived in the past ten years and now provides employment for many rural women. Cambodian silk is generally sold domestically, where it is used in sampot (wrap skirts), furnishings, and pidan (pictoral tapestries). Now, it has seen an increase in export viability.

Cotton textiles have also played a significant role in Cambodian culture. Though today, Cambodia imports most of its cotton, traditionally woven cotton remains popular. Rural women often weave homemad