Francisca Reyes Aquino, a Filipino choreographer, created an original national dance known as "Kulasan" in 1946. It is a form of traditional Philippine folk dancing that features intricate hand movements and footsteps, as well as the use of fans and handkerchiefs.
Kulasan was originally created as a tribute to the Filipino people and their history. It includes a variety of movements and poses, such as raising arms, twirling around, and swinging fans, that aim to represent the different aspects of Filipino culture and identity, such as the fighting spirit, the love for nature, and the devotion to family.
In addition to its cultural significance, Kulasan also serves as a form of physical exercise, as it involves a combination of hand movements, body movements, and breathing techniques, making it a powerful tool for body and mind discipline.
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Francisca Reyes Aquino's gymnastics routine for girls, created in 1947, is known as "Kulasan," which is a Filipino word that translates to "dignity" or "gracefulness." This routine has been widely recognized as an iconic representative of Filipino culture and has been used as a form of exercise and leisure by many Filipinos.
In "Kulasan," the athlete performs a set of poses and movements using a handkerchief or scarf in a way that showcases the athlete's grace, balance, and coordination. The routine consists of a series of steps and poses that incorporate traditional Filipino music and movements, as well as modern dance and gymnastics techniques. Some of the steps and poses that are part of the routine include:
"Lakad" (walk): The athlete takes a few steps forward, side to side, or backwards to the beat of the music.
"Lutaw" (fly): The athlete performs a series of jumps or leaps while holding a handkerchief or scarf, showcasing agility, flexibility, and coordination.
"Rotate" (rotate): The athlete turns or spins around while holding a handkerchief or scarf, representing grace and elegance.
"Pagkalagkad" (stretch): The athlete extends their arms or legs to the side or above their head, showing off flexibility and control.
"Pagkalutaw" (jump): The artist jumps straight up in the air with a handkerchief or scarf wrapped around their neck, making it billow out dramatically.
"Pagkakaibigay" (give): The athlete reaches out with their hands, as if offering the handkerchief or scarf to someone or something.
"Paglakay" (move): The athlete performs a sequence of steps or moves that resemble martial arts, with sharp and swift movements and fluid transitions.
Overall, the routine is designed to showcase the athlete's ability to move and balance in harmony with traditional Filipino music and movements, making it a beautiful and impressive display of fitness and culture.
Happy learning! Pabrainliest po ty!
3 votes Thanks 1
jecastillochan
pwede po pa explain din ng gymnastics for girls 1947 ni francisca Reyes Aquino? thank you po
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Verified answer
Francisca Reyes Aquino, a Filipino choreographer, created an original national dance known as "Kulasan" in 1946. It is a form of traditional Philippine folk dancing that features intricate hand movements and footsteps, as well as the use of fans and handkerchiefs.
Kulasan was originally created as a tribute to the Filipino people and their history. It includes a variety of movements and poses, such as raising arms, twirling around, and swinging fans, that aim to represent the different aspects of Filipino culture and identity, such as the fighting spirit, the love for nature, and the devotion to family.
In addition to its cultural significance, Kulasan also serves as a form of physical exercise, as it involves a combination of hand movements, body movements, and breathing techniques, making it a powerful tool for body and mind discipline.
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Francisca Reyes Aquino's gymnastics routine for girls, created in 1947, is known as "Kulasan," which is a Filipino word that translates to "dignity" or "gracefulness." This routine has been widely recognized as an iconic representative of Filipino culture and has been used as a form of exercise and leisure by many Filipinos.
In "Kulasan," the athlete performs a set of poses and movements using a handkerchief or scarf in a way that showcases the athlete's grace, balance, and coordination. The routine consists of a series of steps and poses that incorporate traditional Filipino music and movements, as well as modern dance and gymnastics techniques. Some of the steps and poses that are part of the routine include:
"Lakad" (walk): The athlete takes a few steps forward, side to side, or backwards to the beat of the music.
"Lutaw" (fly): The athlete performs a series of jumps or leaps while holding a handkerchief or scarf, showcasing agility, flexibility, and coordination.
"Rotate" (rotate): The athlete turns or spins around while holding a handkerchief or scarf, representing grace and elegance.
"Pagkalagkad" (stretch): The athlete extends their arms or legs to the side or above their head, showing off flexibility and control.
"Pagkalutaw" (jump): The artist jumps straight up in the air with a handkerchief or scarf wrapped around their neck, making it billow out dramatically.
"Pagkakaibigay" (give): The athlete reaches out with their hands, as if offering the handkerchief or scarf to someone or something.
"Paglakay" (move): The athlete performs a sequence of steps or moves that resemble martial arts, with sharp and swift movements and fluid transitions.
Overall, the routine is designed to showcase the athlete's ability to move and balance in harmony with traditional Filipino music and movements, making it a beautiful and impressive display of fitness and culture.
Happy learning! Pabrainliest po ty!
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for report purposes only lang po salamat kahit maikli lang:))