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Francisca Reyes Aquino was a Filipino folk dancer, choreographer, and researcher who is known for her extensive documentation and preservation of Philippine folk dances. Her works on Philippine folk dances are compiled in five volumes, each focusing on different regions of the country.

In Volume I, Aquino collected and documented folk dances from the northern region of the Philippines. The dances included in this volume were mainly influenced by Spanish, American, and Chinese cultures. The dances are lively and energetic, showcasing the rich culture and heritage of the Ilocanos, Pangasinenses, and other northern tribes.

Volume II contains folk dances from the central region of the Philippines. These dances have a more pronounced Malay influence and are characterized by graceful movements and elaborate costumes. Some of the dances included in this volume are the Binanog, Habanera Capiz, and the popular Tinikling dance.

Volume III focuses on folk dances from the southern region of the Philippines. The dances in this volume are influenced by the Muslim culture and are characterized by their intricate hand movements and colorful costumes. Some of the dances included in this volume are the Pangalay, Singkil, and Kappa Malong-Malong.

Volume IV contains folk dances from the western region of the Philippines. The dances in this volume are a fusion of various cultures, including Malay, Chinese, and Spanish. The dances are characterized by their lively and upbeat music and playful movements. Some of the dances included in this volume are the Maglalatik, Itik-Itik, and Binasuan.

Lastly, Volume V features dances from the eastern region of the Philippines, which includes the Visayas and Mindanao. The dances in this volume are a fusion of Spanish, Malay, and indigenous cultures. The dances are characterized by their graceful movements and colorful costumes. Some of the dances included in this volume are the Kuratsa, Sayaw sa Bangko, and the Pangalay sa Tapis.

Overall, Francisca Reyes Aquino's Philippine Folk Dances, Volumes I to V, serves as a valuable resource for those interested in Philippine culture and heritage. Her works have helped in preserving and promoting the rich diversity of Philippine folk dances, which have become an integral part of the country's national identity.

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