A periodical essay is an essay (that is, a short work of nonfiction) published in a magazine or journal--in particular, an essay that appears as part of a series.
The 18th century is considered the great age of the periodical essay in English. Notable periodical essayists of the 18th century include Joseph Addison, Richard Steele, Samuel Johnson, and Oliver Goldsmith.
"The largely middle-class readership did not require a university education to get through the contents of periodicals and pamphlets written in a middle style and offering instruction to people with rising social expectations. Early eighteenth-century publishers and editors recognized the existence of such an audience and found the means for satisfying its taste. . . . [A] host of periodical writers, Addison and Sir Richard Steele outstanding among them, shaped their styles and contents to satisfy these readers' tastes and interests. Magazines--those medleys of borrowed and original material and open-invitations to reader participation in publication--struck what modern critics would term a distinctly middlebrow note in literature.
"The most pronounced features of the magazine were its brevity of individual items and the variety of its contents. Consequently, the essay played a significant role in such periodicals, presenting commentary on politics, religion, and social matters among its many topics."
(Robert Donald Spector, Samuel Johnson and the Essay. Greenwood, 1997)
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Answer:
A periodical essay is an essay (that is, a short work of nonfiction) published in a magazine or journal--in particular, an essay that appears as part of a series.
The 18th century is considered the great age of the periodical essay in English. Notable periodical essayists of the 18th century include Joseph Addison, Richard Steele, Samuel Johnson, and Oliver Goldsmith.
"The largely middle-class readership did not require a university education to get through the contents of periodicals and pamphlets written in a middle style and offering instruction to people with rising social expectations. Early eighteenth-century publishers and editors recognized the existence of such an audience and found the means for satisfying its taste. . . . [A] host of periodical writers, Addison and Sir Richard Steele outstanding among them, shaped their styles and contents to satisfy these readers' tastes and interests. Magazines--those medleys of borrowed and original material and open-invitations to reader participation in publication--struck what modern critics would term a distinctly middlebrow note in literature.
"The most pronounced features of the magazine were its brevity of individual items and the variety of its contents. Consequently, the essay played a significant role in such periodicals, presenting commentary on politics, religion, and social matters among its many topics."
(Robert Donald Spector, Samuel Johnson and the Essay. Greenwood, 1997)
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