In music, texture is how the melodic, rhythmic, and harmonic materials are combined in a composition, thus determining the overall quality of the sound in a piece. Texture is often described in regard to the density, or thickness, and range, or width, between lowest and highest pitches, in relative terms as well as more specifically distinguished according to the number of voices, or parts, and the relationship between these voices. For example, a thick texture contains many “layers” of instruments.
In musical terms, particularly in the fields of music history and music analysis, some common terms for different types of texture are:
Monophonic
Polyphonic
Homophonic
Homorhythmic
Heterophonic
We will focus on monophony, polyphony, and homophony in this course.
Formal Terms
There are many informal terms that can describe the texture of a piece of music (thick, thin, bass-heavy, rhythmically complex, and so on), but the formal terms that are used to describe texture all describe the relationships of melodies and harmonies. Here are definitions and examples of the four main types of texture. For specific pieces of music that are good examples of each type of texture, please see below.
Monophonic
Monophonic music has only one melodic line, with no harmony or counterpoint. There may be rhythmic accompaniment, but only one line that has specific pitches. Monophonic music can also be called monophony. It is sometimes called monody, although the term “monody” can also refer to a particular type of solo song (with instrumental accompaniment) that was very popular in the 1600s.
Examples of Monophony
One person whistling a tune
A single bugle sounding “Taps”
A group of people all singing a song together, without harmonies or instruments
A fife and drum corp, with all the fifes playing the same melody
Sorry po kung mali :,D
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nhosan14
ty po pero sana po hindi sa gugel yun sagot. thanks
Answers & Comments
Answer:
Yes
Explanation:
In music, texture is how the melodic, rhythmic, and harmonic materials are combined in a composition, thus determining the overall quality of the sound in a piece. Texture is often described in regard to the density, or thickness, and range, or width, between lowest and highest pitches, in relative terms as well as more specifically distinguished according to the number of voices, or parts, and the relationship between these voices. For example, a thick texture contains many “layers” of instruments.
In musical terms, particularly in the fields of music history and music analysis, some common terms for different types of texture are:
Monophonic
Polyphonic
Homophonic
Homorhythmic
Heterophonic
We will focus on monophony, polyphony, and homophony in this course.
Formal Terms
There are many informal terms that can describe the texture of a piece of music (thick, thin, bass-heavy, rhythmically complex, and so on), but the formal terms that are used to describe texture all describe the relationships of melodies and harmonies. Here are definitions and examples of the four main types of texture. For specific pieces of music that are good examples of each type of texture, please see below.
Monophonic
Monophonic music has only one melodic line, with no harmony or counterpoint. There may be rhythmic accompaniment, but only one line that has specific pitches. Monophonic music can also be called monophony. It is sometimes called monody, although the term “monody” can also refer to a particular type of solo song (with instrumental accompaniment) that was very popular in the 1600s.
Examples of Monophony
One person whistling a tune
A single bugle sounding “Taps”
A group of people all singing a song together, without harmonies or instruments
A fife and drum corp, with all the fifes playing the same melody
Sorry po kung mali :,D