Choose one (1) literary work from Asian Literature to African Literature, then write a 3- paragraph close analysis and critical interpretation of that work using the appropriate critical approach.
I/t te/lls the ta/le of hi/s m0/ral, b0dily and em0/ti0nal d3//gra/dation, and down/fall into the shady lifestyles of cri/me, sui/cides, pro/sti/tutes, al/cohol and mor/ph/ine. It’s written withinside the first character which offers it a m3ntal int3nsity and inti/mate mood. Another ele/ment this is charming is the huge quantity of Dazai’s autobio/graphical elements. Marxism, debauchery, and existential crisis.
Both have been born in priv/ileged ho/use/holds and felt guilt app/roximately it. Both tried sui/cide through dro/w/ning o/f/f a se/ash/ore in Ka/ma/ku/ra with yo/un/ger b/a/r hos/tesses. Bo/th Yo/zo and Da/zai sur/viv/ed, and ea/ch la/dies di/e/d. B/o/th ha/ve be/co/me hoo/ked on mor/phine-primarily based totally pa/inki/l/lers. At the end, Dazai de/di/cated sui/ci/de thro/ugh dro/wni/ng. Yozo’s wh/ere/ab/o/uts stay un/kno/wn, des/pite the fa/ct that he m/ay ha/ve exe/cu/ted the eq/ual el/em/ent.
II. AFRICAN LITERATURE
Chi/nua Ache/be's Thi/ngs Fa/ll Ap/art te/lls the tale of Okonkwo, a high-rat/ing me/mber of a Nige/rian vil/lage. The tale follows his exis/tence, sto/cks his stu/dies as a person, and indicates his existence each earlier than and after the British come to Nigeria. Achebe's novel is one of the maximum well-known examples of what literary critics could name post-co/l0nialism.
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Explanation:
I. ASIAN LITERATURE
I/t te/lls the ta/le of hi/s m0/ral, b0dily and em0/ti0nal d3//gra/dation, and down/fall into the shady lifestyles of cri/me, sui/cides, pro/sti/tutes, al/cohol and mor/ph/ine. It’s written withinside the first character which offers it a m3ntal int3nsity and inti/mate mood. Another ele/ment this is charming is the huge quantity of Dazai’s autobio/graphical elements. Marxism, debauchery, and existential crisis.
Both have been born in priv/ileged ho/use/holds and felt guilt app/roximately it. Both tried sui/cide through dro/w/ning o/f/f a se/ash/ore in Ka/ma/ku/ra with yo/un/ger b/a/r hos/tesses. Bo/th Yo/zo and Da/zai sur/viv/ed, and ea/ch la/dies di/e/d. B/o/th ha/ve be/co/me hoo/ked on mor/phine-primarily based totally pa/inki/l/lers. At the end, Dazai de/di/cated sui/ci/de thro/ugh dro/wni/ng. Yozo’s wh/ere/ab/o/uts stay un/kno/wn, des/pite the fa/ct that he m/ay ha/ve exe/cu/ted the eq/ual el/em/ent.
II. AFRICAN LITERATURE
Chi/nua Ache/be's Thi/ngs Fa/ll Ap/art te/lls the tale of Okonkwo, a high-rat/ing me/mber of a Nige/rian vil/lage. The tale follows his exis/tence, sto/cks his stu/dies as a person, and indicates his existence each earlier than and after the British come to Nigeria. Achebe's novel is one of the maximum well-known examples of what literary critics could name post-co/l0nialism.
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