1. a. In musical terminology, tempo (Italian for "time"; plural tempos, or tempi from the Italian plural) is the speed or pace of a given piece.

b. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm).

c. In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm.

d. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture.

2. a. Pianissimo (pp) – very quiet

b. Piano (p) – quiet

c. Forte (f) – loud

d. Fortissimo (ff) – very loud

3. a. texture is how the tempo, melodic, and harmonic materials are combined in a musical composition, determining the overall quality of the sound in a piece.

b. The texture is often described in regard to the density, or thickness, and range, or width, between lowest and highest pitches, in relative terms as well as more specifically distinguished according to the number of voices, or parts, and the relationship between these voices (see Common types below). For example, a thick texture contains many 'layers' of instruments.

c. One of these layers could be a string section or another brass. The thickness also is changed by the amount and the richness of the instruments playing the piece. The thickness varies from light to thick.

d. A piece's texture may be changed by the number and character of parts playing at once, the timbre of the instruments or voices playing these parts and the harmony, tempo, and rhythms used.

4. a. A theme is a melody that is not necessarily complete in itself except when designed for a set of variations but is recognizable as a pregnant phrase or clause. A fugue subject is a theme; the expositions and episodes of a sonata are groups of themes.

b. Figures or motives, small fragments of a theme, are grouped into new melodies in the “development” of a sonata. In a fugue, they carry on the music when the subject and countersubject are silent.

c. In a sequence, a figure or group of chords is repeated at different levels of pitch.

d. Ornaments, or graces (small melodic devices such as grace notes, appoggiaturas, trills, slides, tremolo, and slight deviations from standard pitch), may be used to embellish a melody. Melodic ornamentation is present in most European music and is essential to Indian, Arabic, Japanese, and much other non-Western music.

5. thats music is familiar to me I hear it on my room thats song is my favorite

correct if am wrong

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