Women in many Southeast Asian cultures derive symbolic and cultural capital from their control of weaving and the disposition of production. Women's textile production may make substantial contributions to household income. ... At minimum, women can produce cloth for which the household would have to spend precious cash.The communities and cultures of Southeast Asia were in direct contact with India through trade routes. ... Most of the Southeast Asian sculpture of the period 300–600 CE was heavily influenced by the style of the Gupta Empire in India, which patronized Buddhist art in the Greco–Buddhist style.
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Women in many Southeast Asian cultures derive symbolic and cultural capital from their control of weaving and the disposition of production. Women's textile production may make substantial contributions to household income. ... At minimum, women can produce cloth for which the household would have to spend precious cash.The communities and cultures of Southeast Asia were in direct contact with India through trade routes. ... Most of the Southeast Asian sculpture of the period 300–600 CE was heavily influenced by the style of the Gupta Empire in India, which patronized Buddhist art in the Greco–Buddhist style.
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